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Merz Trio has been lauded as “entrancing” (BBC Music Magazine) and “artists in the deepest sense of the word” (CutCommon). Winners of the Naumburg, Concert Artists Guild, Fischoff, and Chesapeake Competitions, the group has established itself at the forefront of the US chamber music scene. Merz Trio is passionately committed to reshaping the narrative of classical music through vibrantly dynamic programming and wide-ranging interdisciplinary collaboration for violin, cello, and piano.

Their program explores the musical and cultural collisions of the Second Viennese School with the new —through the lens of Alma Mahler’s fabled journeys through the United States.

Merz Trio

This concert is generously co-sponsored by
Hudson Todd, LLC

Night Songs

Join Merz Trio as we search for song in night’s darknesses. Beginning with the 12th
century chants spun by Hildegard von Bingen in her solitary monastic cell, we explore
melody sung into and for the night, weaving together a musical conversation that joins
the voices of Purcell, Schumann, Alma Mahler, Brahms and Zemlinsky in works large and
small, and brings us right into the twentieth century with Thelonious Monk’s poignantly
lonely ode to a dark hour, ‘Round Midnight.

Hildegard von Bingen (1098-1179)
Hymn O ignee spiritus arr. Merz Trio
IV. Finale. Allegro giocoso

Robert Schumann (1811-1856)
Six Studies in Canonic Form, Op. 56
III. Andantino

Thelonious Monk (1917-1982)
Round Midnight arr. Miles Walter

Henry Purcell (1659-1695)  
Hush No More arr. Merz Trio

Alma Mahler (1879-1964)  
Laue Sommernacht arr. Merz Trio

Alexander Zemlinsky (1871-1942) 
Empfängnis arr. Merz Trio

Robert Schumann (1811-1856)  
Piano Trio No. 2 in F Major, Op. 80 (1847)
I. Sehr lebhaft
II. Mit inigem Ausdruck
III. In mässiger Bewegung
IV. Nicht zu rasch

Intermission

Johannes Brahms (1833-1897)
Piano Trio No. 1 in B Major, Op. 8 (rev. 1889)
I. Allegro con brio – Tranquillo – In tempo ma sempre sostenuto
II. Scherzo. Allegro molto – Meno allegro – Tempo primo
III. Adagio
IV. Finale. Allegro

Program subject to change.

Program notes will be provided closer to the concert date.

Merz Trio

Hailed as “entrancing” (BBC Music Magazine) and “artists in the deepest sense of the word” (CutCommon), Merz Trio have established themselves at the forefront of the US chamber music scene, with upcoming debuts at Carnegie Hall, Amsterdam’s Concertgebouw, Boston’s Isabella Stewart Gardner Museum, CM Houston, CM Detroit, MN’s Schubert Club, DC’s Strathmore Mansion, and Music Mountain, among others. Winners of the Naumburg, Concert Artists Guild, Fischoff, and Chesapeake Competitions, they have been lauded for their “stunning virtuosity… fresh and surprising interpretations” (Reading Eagle), and “perfection of intonation and ensemble” (Hudson Review).

Merz Trio are passionately committed to reshaping the narrative of classical music through vibrantly dynamic programming and wide-ranging interdisciplinary collaboration. Their narrative programming style juxtaposes classical standards, new music, and their own arrangements of familiar and forgotten works, fluidly interwoven and guided with speaking from the Trio’s members. Their interdisciplinary collaborations include ongoing projects with directors Emma Jaster and Jon Levin, dancer Caroline Copeland, and Sandglass Puppet Theater.

The Trio are equally known for their more immersive integrations of music and text in performance, ranging from their recital-theater piece built around Shakespeare’s Macbeth (Those Secret Eyes), to their debut album interweaving Ravel’s Trio with short pieces, poems, and diaries of the era (Ink, August, 2021), presented in the concert version Ink Spills. In their prolific arranging work, the Trio are committed to uplifting overlooked voices from history, ranging from Hildegard von Bingen to Lili and Nadia Boulanger, from Joséphine Baker to Irish folk melodies.

Merz Trio have been encouraged in their explorations by numerous institutional homes around the world: New England Conservatory, Yellow Barn, Snape Maltings, Avaloch Farm Institute, the Naumburg Foundation, the Lake Champlain, Olympic, and Chesapeake Music Festivals, and the Fischoff Competition, as well as many other venues and hosts around the US, Australia and the UK. They are currently represented by Concert Artists Guild.

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